Sonny Landreth, Marcia Ball
An evening with Sonny Landreth and Marcia Ball. Doors open at 7 pm.
SONNY LANDRETH: After a dozen acclaimed albums, virtuoso slide guitarist and bandleader Sonny Landreth found himself at an artistic crossroads. He wanted to finally create the full length acoustic collection his fans had long requested. But he was also itching to capture the sound of his stalwart electric trio augmented by a couple of his favorite collaborators. And the time was certainly right for an elastic, career spanning double live album. So Landreth and his longtime friends decided to do it all. ‘Recorded Live in Lafayette’ is a 16 song opus that covers more musical ground than any single album ever could, as the singer and songwriter’s work stretches and twists across 93 minutes of full band acoustic and electric bottleneck lightning. Landreth has collaborated with the very top names in guitar over the years: Eric Clapton, Mark Knopfler, Eric Johnson, Derek Trucks – the list goes on. The noted slideman cut his musical teeth in The Red Hot Louisiana Band of zydeco king Clifton Chenier, and Landreth has since recorded and toured with artists ranging from John Mayall to John Hiatt. ‘Recorded Live in Lafayette’ adds another major chapter to his tale, as new vocal and instrumental colors emerge.
MARCIA BALL: “Fifty years have passed in a flash,” says Texas-born, Louisiana-raised pianist, songwriter and vocalist Marcia Ball of her long and storied career. Ball, the 2018 Texas State Musician Of The Year, has won worldwide fame and countless fans for her ability to ignite a full-scale roadhouse rhythm and blues party every time she takes the stage. Her rollicking Texas boogies, swampy New Orleans ballads and groove-laden Gulf Coast blues have made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls and clubs. The New York Times says, “Marcia Ball plays two-fisted New Orleans barrelhouse piano and sings in a husky, knowing voice about all the trouble men and women can get into on the way to a good time.” The Houston Chronicle says simply, “She’s as perfect as an artist can be.”